Pop/jazz singers sing rather staccato and straight (less vibrato).Classical singers sing with a to of legato and vibrato.Stylistic elementsīreaking it down to the basics in a simplified form, one can say that: ![]() There you concentrate on keeping the same rich, deep and loud sound from your lowest note to your highest note as well as in different vowels. They have very different flavors that are often used as an effect and on purpose, which is not the case at all in classical singing. We try to get a smooth transition from our chest voice to our head voice, using the chest voice until we go quite high.Īround the passagio/vocal break, you can use both, chest and head voice. In pop/jazz we talk about voice registers, and especially, blending these. These voice types can also apply to vocalists in the pop/jazz world, but that’s not so common. These voice types decide what repertoire the vocalist sings. In classical singing, there are very clear voice types, to which one is assigned on the basis of the voice color. The emphasis is on the lyrics and on the communication, which differs from jazz singing, where it’s more about the notes you use, the phrasing than about the lyrics. In pop music, we sing very conversationally. I talked about the different larynx positions in my previous article already but just to mention it shortly: When you sing with a low larynx, the space in the vocal tract gets bigger, so has more room for resonance and is therefore louder.
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